I arrived to find something new in my room. Amongst the pieces of my past, tokens and weapons lay a new doll. It was worn by the many miles it had traveled before this moment. It lay amongst many well know items of mine. They must have brought it along to keep them company. I found myself drawn to its imperfections and marks. Slowly many of my other possessions became trifle besides the time I spend engorged in the world amidst our play. Steadily the doll started to become imbued with meaning. No longer could I hold it in my arms and eyes as a meager representation of life. It had become real, alive and closer now than I thought it would when first I saw it. At first I delighted by the life it had acquired and hastily made it fine lodging in my heart. I had forgotten why I had vacated live from my room so long ago. Now alive, what was once a doll now was now subject to the imperfections of life. These were unlike the tatters that had drawn me to it. No, these were the barbs of individuality and agency. As sweet as its ability to choose me could be, as bitter was its capacity to scorn me. As the blood started to clot, and the wounds sporadically close, I found it inconceivable to recant the life that looked back at me from behind the eyes that were once so vacant. I tried, that I cannot deny. Alas it no longer resided outside of me, but in its being lay a part of my own reflection. I had lost control of yet another part of myself. I am now too afraid to open the door to my heart, for I fear the condition it has been left in
Monday, July 5, 2010
These Sheets Have Monsters
She lies naked in my arms, her hair in my face, annoying me. Exposed I try to cover myself with her skin, clothed in warm contact. Though the closer I move into to her shape, the more difficult it becomes to find a comfortable position. Either my head is too high up on her shoulder or her hair creeps into every orifice in my face. Now disgruntled, I move away into my own space and press gently on her shoulder. She buckles and stares closed-eyed at the ceiling. So, bored and disenchanted, I pull the covers down to her navel, like unwrapping a present you wanted two years before you got it. Unlike Jeannette Winterson’s romanticism, I did not look upon her like young explorer in an uncharted exotic world. Instead, her body was a minefield that threatened to; piece by piece, violently dismantle the serine ideal I made in passion and intoxication. I feel more like a veteran of ugly conflicts, which in their heat drowned my mind and body with adrenalin and fear. She still smiles when I touch her, even though she is not completely here with me. I know I should be flattered. But I am not.
Coming down
Carving, From Fallen Rocks, a Face To Strange To Love
The weight of its features and the taste of dust
are the prices I pay for a face that won’t rust
But also my back buckles and my waking is strained
Still, this face is impervious to the wind and the rain
when I came to the river, I was so scared I’d drown
So I sat by the water, at home with the ground
till I met a man with a face made of skin
He jumped in the river and started to swim
Every road he had taken was carved on his brow
The scars of his travels he wore like a crown
The madness of him, to live so unguarded
was juxtaposed to the life he had fathered
So alone I sat, as even more passed me by
If my eyes were like their’s I think I would cry